MALCOLM GLADWELL ON THE 10,000 HOUR RULE
This is of benefit in whatever you're studying or pursuing. As catchy and powerful a slogan as it is, Nike has it only partially correct. Don't just do it. Keep doing it. Never stop doing it. And when you think you're done, do it some more.
Because if your goal is to excel at something it takes a lot more than occasional, casual involvement. You've gotta pour everything you can into it, for a very long time. I'll testify to this, having far exceeded 10,000 hours at my various crafts over the past thirty years. And I still don't know nearly as much as I need or hope to.
Here's the synopsis of the concept:
And for a really good listen, here's an entire chapter from Malcolm's book, Outliers: The Story of Success, where he goes into it in great detail.
FREDDIE WONG: THE SECRETS OF YOUTUBE SUCCESS
An invaluable article, posted by one of YouTube's most successful filmmakers.

READ FULL ARTICLE HERE – http://bit.ly/Rt9ekG
SOUNDWORKS COLLECTION: THE SOUND OF UNSTOPPABLE
As a follow-up to our post on Tony Scott discussing the film, here's another excellent BTS of the sound recording and mixing for this epic adventure.

LIGHTING: GOING WITH WHAT YOU’VE GOT
Hollywood Cinematographer Shane Hurlbut's blog (http://www.hurlbutvisuals.com/blog/) is one of the best out there, and at the top of my list of must-subscribes.
Here's his two-part series on lighting using a mix of available light and off-the-shelf home center equipment. It's a great resource for effectively lighting films in an easily-available, inexpensive way. Shane gives us a look at what's in his kit (right down to stingers) and with that you can begin to build your own as funds allow.
Part One
Part Two
SETIQUETTE: HOW TO ACT ON A FILM SET
Here's an excellent…repeat, EXCELLENT hour-long class presentation by Marc A. Hutchins, D.P. at Alexander Films. He's addressing the cast and crew of a micro budget faith-based film he's about to shoot on the proper way to conduct themselves on set.
This is essential viewing for everyone entering — or in the industry.

TONY SCOTT ON DIRECTING
Tony Scott loved what he did, with every fibre of his being. His passion for filmmaking was infectious, affecting everyone he worked with. He got great performances out of his actors and was widely respected in the industry. Here are two great interviews with him in which he discusses artistic style, concept, casting and story decisions.
REVENGE OF THE GREAT CAMERA SHOOTOUT: PART ONE
The premise is a camera test. But in its presentation what results is an excellent documentary on cinematography. It's a solid half hour of wisdom from some of the best DP's in the business.





