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THE PIXAR THEORY

Fascinating, even as speculation. A lot went into this.

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ALFRED HITCHCOCK: MASTER OF CINEMA

Entire film courses have been taught around Alfred Hitchcock's films. And for very good reason. This master of cinema and suspense understood the use of pacing and tension; oftentimes breaking cliched ways of filming a scene for a far more dramatic effect.

In these two in-depth interviews from 1972 he goes into detail on a selection of his works, speaking with great candor about [among other subjects] filmmaking in general, directing an audience, and his frustration working with method actors.


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THE CHANGING SHAPE OF CINEMA: THE HISTORY OF ASPECT RATIO

A superb history lesson, given by John Hess at FilmmakerIQ.com


 

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DIRECTING THE SHOTS FOR THE TONY AWARDS’ OPENING NUMBER

Get ready, cause this is unreal.

Here's how Glenn Weiss, the Director of the Tony's called the shots
for the opening number. True genius.


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SUPER HERO OR SUPER BORE?

Here's an incredibly insightful, well written piece about super hero movies.

READ FULL ARTICLE HERE

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SIX TIPS FOR SHOOTING HANDHELD

Here's some good, common sense advice from Patrick at Stillmotion.

VIEW VIDEO HERE

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THE ESSENTIAL LIST OF FESTIVALS AND ONLINE ELIGIBILITY

It's common perception that if your film is online then you're ineligible for film festivals. That's not entirely true.

In fact it's 2/3 untrue.

READ FULL ARTICLE HERE
 

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BEST MOVIES TO WATCH TO LEARN THE CRAFT OF FILMMAKING

Low budget filmmaker Jack Perez shares his thoughts on which Directors' films are the best to watch to study the art of filmmaking.



 

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THE FILMMAKERS OF NATIONAL GEOGRAPHIC

Enjoy this excellent documentary on the filmmakers who capture unforgettable footage in the wild.

WATCH FILM HERE

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FIX IT IN CAMERA ~ FINESSE IT IN POST

Ryan E. Walters makes a very good case for getting the shot right in-camera (or at least 80-90% there as he puts it).

READ FULL ARTICLE HERE

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